In the Guardian last week there was an article on what was termed ‘peoples innovation’ which referred to park run as like church - park run is a weekly run organised by volunteers. But it was likened to church because it is a space in which people find community and friendship in the city in what can be an isolated space. Community groups in cities are really important spaces. I am part of a photography group which is is one such group.
I have invited two members of the group, Sean and Edmond, who were part of the team curating the exhibition that is hanging in the church, to come along this morning and I’d like to begin by asking then a few questions about the exhibition and indeed about photography.
Sean: Tell us about the photography group - what do you do? Why do you go?
Edmond: The exhibition is called Oblique Strategies - what does that mean? What is it about?
Sean and Edmond: Which is your photo? Tell us about it.
Sean: What do you like about photography?
Edmond: I am going to explore in a minute the idea of photography as a spiritual practice. Is there any connection for you between photography and spirituality?
(For the reader - Oblique Strategies is a series of playing cards that Brian Eno and Peter Schmidt designed in 1975. The idea is that a creative person who got stuck in the creative process could draw a card at random and use it as an oblique strategy to spark their imagination in new directions. So for the exhibition each of the nineteen photographer’s received a card drawn at random and had to take a photograph provoked by that oblique strategy. And on the photos you see each strategy written.)
For me photography is a connected with contemplative spirituality because it helps me to pay attention, to see, to really look. I won’t say much about this as I spoke about it last year but there is a tradition of photographers who use words like transcendent for their approach because they recognise that there is something beyond the immediate, a presence that they connect with as they slow down and learn to see - much like people experience in silence, a walk in a forest, or gazing at the horizon on a beach. Today people might call it mindful. Paul Hill, much loved of London Independent Photography describes photography as ‘learning to see’. Here’s two quotes from a book on the contemplative Thomas Merton and his photography that I used last year but can’t really better:
“To become a contemplative one must develop the spiritual eye of attention and what in modern life symbolises more fully and exactly what the life of a contemplative life entails than the camera.” and…
“Solitude and silence are the sine qua non of being a contemplative. In fact a photographer is a contemplative in his/her own right: he/she too must become a master of attention”
I have been thinking about what we can learn from photographers way of looking at the world. You can try this later but I began to write some lines of prayer that begin ‘give me eyes to see like a photographer…’
give me eyes to see like a photographer
that the whole world is shining
to notice how your light falls
give me eyes to see like a photographer
that beauty is in the ordinary and everyday
not in a quest to capture the perfect sunset
give me eyes to see like a photographer
that the world is broken in grief
longing for healing
give me eyes to see like a photographer
that all is gift
and you are the one who draws with light
amen
(the word photo graph means light drawing by the way photo-light graph-draw)
Last year I developed two practices that related to photography and I thought it would be good to engage them as ways of learning to see together
a) visio divina
Lectio divina is a way of reading the bible which has four stages formally known as lectio, meditatio, oratio, contemplatio. These stages can be applied to reading or looking at photographs. I have renamed these four stages as follows:
Look
Reflect
Talk/pray
Ponder
Pick one of the photographs that catches your attention and look at it, then reflect on what it evokes for you, how does it connect with you and your story, where does it take you, then talk to the person next to you about what you see (in lectio this would also be a space for prayer to talk to God about it which you can do later), then sit for a moment and ponder what gift is in this that you will take from the experience.
[Space to do this and discuss]
b) Imaginative reading where you are the photographer
We heard a story about Jesus earlier (Mark 7:24-30). I will read it for you again in a moment. A practice that is really helpful for reflecting on a story like this is to use your imagination to picture the scene and explore it with all your senses and then watch the scene unfold in your mind’s eye. Be playful with it. It often helps to be a character in the scene - a member of the crowd or the person in the story. But the twist is that i want you to be a photographer in the story noticing it unfold and thinking as it does what photos you are inspired to take. It might be worth saying a couple of things to help frame the story - Jews did not view Gentiles as included in God’s story. They are outsiders and from this passage we see they were commonly described as dogs. Jews would not eat with them or go into their homes for example. And Jesus is in Tyre which is Gentile (Phonecia) trying to keep his head down.
[Read passage and then get a few people to share what they imagined.]
Thank you for your seeing of this intriguing story and of course we don’t know what Jesus intentions were. But I have come to see the courage and strength of this woman not taking the script and place given to her in the ordering of the world - she won’t stay in her place and I love that. To even take the risk of finding Jesus and get a hearing which was unlikely in the culture required her to get beyond the voice in her own head saying ‘who do you think you are?’ Many women have this script by the way. I also love that in terms of learning to see, she as the person who is an outsider and of another faith than Jesus is the one who help him to learn to see. What an extraordinary reversal. I really hope we have the same openness to receive the gifts of other faiths and their insights and wisdom as Christianity has its blind spots for sure. That seeing is this - that where God has been viewed as God of the Jews, a tribal God only, God is actually the God of all peoples, the God of the whole world. In Mark’s story Jesus goes on from here to the Decapolis which is Gentile and mainly on the East side of the Jordan (he has been there once in Gadara already - see Mark 5). He heals a deaf man and ministers there and it is followed by the feeding of the 4000. Earlier he has recorded the feeding of the 5000 for Jews and 12 baskets were left over signalling provision presumably for the twelve tribes of Israel. But this time 7 baskets are left over - 7 being the number for wholeness or completeness. So God is the God of the whole world the God of all peoples and Jesus mission is beyond the limits of the Jewish people. Jesus learns to see this through the oblique strategy of a foreign outsider from another faith who presses in with ‘courage’ and banter when she was being turned away. Flipping brilliant - I love her!
Thank you to you the people of St Mary’s so much for letting the Ealing photography group which is a satellite of London Independent Photography use your beautiful church to exhibit Oblique Strategies. It is part of BEAT - the Borough of Ealing Art Trail - over 100 artists are exhibiting in homes, studios and other venues in Ealing this weekend and next. I encourage you to go and visit.
I’d like to end with another prayer I was writing last night whilst thinking about photography. It’s slightly photography nerd territory. But let’s pray
open the shutter of my heart to let the light in
bring out your image in me like film in the dark room
hold me steady like a tripod with my aperture wide
give me a neutral density filter so i can have a long exposure to your love
help me learn to see
amen
this advent i am going to read through this lovely little book 
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