jonnybaker

future present launched in s korea

i would have been in south korea with friends there at the moment if coronavirus had not locked everything down meaning i had to cancel the trip. we have a partnership there that has developed over the last few years where there is a hub/centre for pioneering - the institute of st brendan. it was lovely to be sent some photos today of friends there celebrating the launch of future present which has been published in korean. when we crowdfunded that here who would have thought that would happen??!! small world and all that...

it is still available in english of course via proost or indeed we have copies at cms as well. it's a delightful zine/book with some weighty content and beautiful design.

musings from the other side of the word 3: smug statues and street art saints

[see part 1 kiwi and proud and part 2 am i in england?]

getting stuck in christchurch in new zealand longer than planned meant i had time to wander the streets a bit with camera in hand. i really don't do that enough - linger in a place with time on my hands and get lost on the streets. it's such a great way to see a place. 

one of the immediate things in christchurch that you see is that it is still very much post earthquake and i'll come back to that in a later post. but the other thing i began to notice was street art. i subsquently discovered that post-quake christchurch has become a hub for street art with various festivals and artists commissioned to paint huge murals.

i began to reflect on the contrast between the more fixed statues in the city and the newer street art. lots of cities have pompous statues - london has plenty! look at this guy john robert godley who was the founder of the canterbury settlement ariving in 1850. i really don't like this statue which is in front of christchurch cathedral! he has a sort of english colonialist swagger about him towering over you. it may be totally unfair and i don't know much about him. but i am not naive about english colonial behaviour either. reading up on him, the canterbury settlement (which is the wider area christchurch is in) was particularly tied up with the church of england and he worked to set up the canterbury association with edward wakefield securing 300 000 acres of land. that involved dealing with the new zealand company. when you read artilces in wikipedia or in encylopedias they are very matter of fact about it all. i am not a historian but i am pretty suspicious about this sort of story - so sure enough a bit of digging and it turns out that the wakefield brothers and the new zealand company were a very shady land grabbing company hustling all sorts of property and land from maori by whatever means legal or illegal or inbetween. they lobbied hard to get the treaty of waitangi dismissed. i'll come back to the treaty in a later post but it is the treaty between maori and the british that gives equal rights to maori and settlers. the new zealand company also hated the missionaries with a vengeance because they advocated for the maori. so even if he was a good guy there were some other shameful things going on.

here's another statue in the road below hagley park - james edward fitzgerald. i read up what i could find on him and to be honest they made him sound a really incredible man. it must have been so challenging to work to build a settlement. but he too worked with the wakefields on the settlement. i was giving him the benefit of the doubt. but then his name cropped up in bible and treaty by keith newman which i was reading which said "when the national assembly first met in 1854 the the colonial office had already agreed that native affairs would be the sole preserve of the governor. premier james edward fitzgerald also used the occasion to to announce his plan to acquire 12 million acres - about forty percent of the north island - for settlement. while some maori would resist, the balance should be acquired." wow! according to this article he was an advocate for maori rights, and for self government for new zealand and wanted maori to take part in government and tried to develop policies to improve relations. but at the same time he was securing as much land for settlement as he could. clearly not straightforward and certainly more swagger in the christchurch landscape.

i got slightly obsessed with street art and have added an album of photos - street art in christchurch. i photographed things that caught my attention rather than everything i saw. but two things immediately grabbed me. the first is that the iconography of street saints inc hcristchurch is so different to the statues. the predominant figure celebrated in the landscape is a woman and by and large those women are indigenous. i love the mural above for example. this is whero o te rangi bailey painted by kevin ledo. she was a local elder who the artist painted from a photograph. she was a teacher, counsellor, and "a humble woman who radiated a peaceful and loving energy which was felt by all" according to her daughter.

here is another. it is painted by erika pearce and is of harlem-croz atarangi ihaia. this brings me on to the second thing i noticed - birds. the bird in this picture is the huia which is extinct - sadly the only place i saw one was in canterbury museum stuffed. in this image the woman is wearing kawakawa leaves which would be worn in mourning so it's an image that speaks of sadness and loss. othe birds that feature are largely indigenous birds - the tui, bellbird and kiwi for example.

there were others too such as this image kaitaki by fin dac with an owl and kingfisher - i'd love to read the iconography of that image if someone has any ideas. i have read up that it is about protection and a warning but the image is so interesting. what do the birds represent? the feathers? the eye mask? the kiwi is obviously a national icon but it seemed to me that the birds in so many murals both mourn something that has been lost and express a longing for something too. the loss is real - through settlement the population of birds has been decimated both through the felling of forests but also through the introduction of predators as this mural bunnies vs birds articulates. it's also a loss of deeper and wider things i suspect. but i wonder if they also represent a deep longing, a longing for a recovery of something, to be at home in the land in an environment where the indigenous bird and people are free to be at home. perhaps the longing is not just for recovery but for a new future?

there is a new mural that went up this year on welles street which is really bright and zingy. i didn't photograph the whole thing but you can see an image of the full mural here. it is called cassandra's dream and painted by yoobee design students caitlin booth, sarah dickie, caleb harris, victoria marshall, kayla salt, and phillipa suckling. it is very celebratory and includes all sorts of aspects of christchurch life - creativity, innovation, nature, food, design, dancing, heritage. cassandra in greek mythology uttered true prophecies that no one believed. i can't believe the name is a coincidence or random though i couldn't find anything about it online (cassandra's dream is also the name of a woody allen film). here is a vision that a new christchurch, a new new zealand is possible but will anyone believe it could be so?!

 

musings from the other side of the world 2: am i in england?!

[see part 1: kiwi and proud which ended i hadn't expected to be confronted with england...]

in lent, the community i am part of grace is encouraging practices of soil, soul and society. for soil i am taking note of trees in my road and on ealing common which is my local park. it will be ongoing but i realised a while back that i had walked past trees for years and had no idea what they were so i thought i'd find out as a way of getting to know the place i am in. i won't share the whole list now but of course it includes classics such as lime, plane, oak, horse chestnut, hazel, poplar, beech, hornbeam, birch.

i don't know what i expected in new zealand but after a few days in christchurch i realised i was confused because these were the trees i could see there. in fact i was running through the lovely hagley park and realised the reason i hadn't taken any photos was because it looked like i was in any park in ealing or cambridge or wherever in england. so in the end i did take photographs because the thing that became of interest was the similarity not the difference! what was even stranger was that in the botanical gardens there was a section entitled new zealand. that was a small area with native trees and plants. i began thinking why isn't there a small section labelled england in the botanical gardens with the rest of the park and country being made up of indigenous or native trees? this was further compounded when visiting orokonui which is a lovely ecosanctuary near dunedin. steve taylor took me there and it is fenced off like a rewilding or wilding project and it's beautiful in its trees and plants and birds. in fact the sounds of the birds are amazing - tui, bellbird and the like. i was in canterbury which is an area that it seems the settlers determined to make like england. and i did not visit the west coast which i understand is more like rainforest or the north which is hotter and no doubt more exotic. so this is a very limited view. but it piqued my interest and got me wondering about the process of colonisation and in particular what was the mindset of those who settled. 

i found out that there are whole books on the subject of plants and animals being taken to other countries - they have a range of ways of describing the process - naturalisation, accilmatisation, intrusion, invasion (which of course are interesting words for the whole process of colonisation). the book exotic intruders is online here. and this article on acclimatisation is a pretty good summary. there were acclimatisation societies that were set up as there was a sort of fervour around the idea of introducing plants and animals that could be of use. for settlers the first motivation was survival and sustainability - in other words food! there were apparently not a lot of vegetables and fruit that was easy to access. polynesian islanders had introduced some plants like sweet potato and europeans quickly introduced potatoes, vegetables and all sorts of other plants and fruit trees along with pigs so they could eat. a lot of it acclimatised well. rabbits were introduced and then stoats, ferrets and weasels to keep the population down. of course you do something like that and it has consequences - the native bird population which was not used to these predators struggled through that and the decimation of the native bush cleared for farming. the kiwi is now endangered for example. darwin when he visited said that he thought many of the native plants would not survive the onslaught of the new competitors. it sounds very much like his 'survival of the fittest'. he said 

If all the animals and plants of Great Britain were set free in New Zealand ... in the course of time a multitude of British forms would become thoroughly acclimatised there, and would exterminate many of the natives.

boats came out with blackbirds, thrushes, sparrows, partridges and so on most of which died on the way! i can't get my head round why you would take a sparrow!!! two thirds of new zealand was covered with native bush when settlers arrived and now maybe one fifth is. huge amounts of forest were cleared, swamps drained and so on and the landscape gradually changed. whose to say what is good or bad about this process? i certainly don't have any idea of the wisdom or not of introducing plants, trees and animals. and hindsight is something you only have after the event. in london we have a mix of native and introduced trees such as the plane tree. we know a lot more now than we did then. new zealand is a very fertile country exporting all kinds of things so at some level it worked well. but the cost in terms of creatures and plants has been high too such that some species are now extinct such as the huia (more on that later). new zealand today is a very different prospect and tight on bio security aware of the risks of introducing unwanted plants and creatures that might attack a particular tree for example. 

the thing i hadn't quite appreciated is that colonialism at least in canterbury in new zealand did not just export people and culture. they sought to recreate home, to recreate england almost as a total environment and landscape down to the sort of birdsong they could hear. it is quite a scary imaginary. i have found it quite hard to think myself into it. it doesn't take much of a leap to see how if native species were valued so little then native indigenous peoples and their way of life and culture could be seen in similar fashion. rework darwin's  quote above changing 'animals and plants' to 'people' and right there is the colonial mindset i fear. 

i like to think i would have done it differently. listened, taken time, worked with the local culture, been careful about the introduction of plants, trees and anaimals and their impact on the environment and so on. but i am pretty sure that if i had been alive then i would have done the same thing and thought it was great. so i am not standing on a high horse in judgement. but it's surprising where noticing a few trees takes you in your thinking.

christchurch has a reputation for being very english and that englishness is really a particular kind too - oxford or cambridge - perhaps this is epitomised by this photo of punting on the river. 

i was in christchurch longer than expected due to coronavirus - the rest of my trip was cancelled and i had to rearrange flights. this meant i had a bit more time to wander the streets and see what else i could see...

 

musings from the other side of the world 1: kiwi and proud

this is the first in a series of blog posts which i have called musings from the other side of the world.

i have spent a couple of weeks in new zealand - part holiday and part study leave. i have just got back and i am going to post a series of reflections inspired by the trip. i am a little cautious about it because i don’t know a lot about new zealand and there will be people who have studied and reflected at depth on the things i touch on. i am also english and we english are part of new zealand’s story back in the day as colonialist settlers. i also work for church mission society (cms) and cms missionaries landed in new zealand pretty early in that story and are tied up with its founding and treaty and, as i discovered, that is in quite contested fashion.

i am deliberately writing these as blog posts because blog posts are in the moment, journal like, sharing some thoughts that soon scroll down the page. but i welcome any push back or conversation. i loved talking with people i met in new zealand about these things.

my experience of friends i know from new zealand is that they are super proud of it. they love talking about it. they love making a connection to anyone or anything from new zealand. in fact if there is a chance to claim someone has a connection to new zealand they make it. i love that. i think i particularly love it because i have never felt that way about england - as far as i am concerned there is too much shame in our story! so for example i can never bring myself to wear an england shirt.

anyway all that is to say it is a beautiful country. i loved it! i only really got to see some of the south island (plus a day in wellington) and even then i did not make the north or the west coast of the south island. at some stage i hope i can go back and spend some more time there. a friend roger who used to be a neighbour and is now retired lives there for a few months every year and he has kept trying to persuade me to visit - he also has become an evangelist for new zealand! he hosted me and chauffeured me around - i really appreciated his generosity and kindness especially as i ended up staying a bit longer than planned due to having to change my wider plans because of coronavirus.

we did a whistle stop tour loop largely of mountains and lakes beginning at christchurch and travelling to…

tekapo lake where the night sky is spectacular;

mount cook which was out of clouds and looked stunning across lake pukaki;

lake wanaka where i photographed a tree that is apparently the most photographed tree in new zealand though it has sadly been damaged just this week;

queenstown which really is tourist central where you can do all manner of sports and outdoor activities - like paragliding - i remember my sister showing us a video of her bungee jumping in skipper canyon when she was travelling in a gap year so it was nice to drive by that bridge. we had a more gentile activity going on the earnslaw steamboat down lake wakatipu;

dunedin where it was lovely to catch up with steve taylor at orokanui ecosanctuary where we saw some indigenous shrub, trees and birds (more on that in another blog post);

oamaru which as well as being home to some penguins is a global hub for steampunks;

stopping off at the weird and wonderful moeraki boulders on the way back to christchurch.

i also travelled on day trips to banks peninsula and akaroa. in akaroa where we went on a magical boat trip seeing endangered hector dolphins, blue penguins, albatross and seals. i loved seeing the albatross swooping behind the boat with its amazing flight and huge wingspan. ever since i was a kid i have felt excitement whenever i see dolphins especially in the wild so it was a treat to see hector dolphins. i love the outdoors and being in environments like new zealand do wonders for my soul and spirit.

there is so much beauty in the world and new zealand certainly has its share of it. it has amazing natural resource. it’s a similar size to britain but with only 5 million people. its people are laid back, sporty, hard working, friendly and love to travel. and they make great coffee! what is there not to like?

i have added an album of photographs to flickr - new zealand

kiwi and proud - seems so much simpler than being english and embarrassed! and yet maybe there are some layers of complexity underneath? while i was in christchurch i met some local church leaders and people interested in pioneering and mission. over breakfast we shared conversations and stories and questions (and breakfast!). one of the people who shared what they were up to described their pioneering as exploring what it meant to be a kiwi church and what kiwi identity might be. this was clearly a space in which there was plenty of deconstructing and reconstructing going on. i asked what they meant by kiwi identity as opposed to new zealand identity. kiwi spirituality or church or identity for them seemed to be a way of naming the desire for something beyond anglican, presbyterian, weslyian or vineyard (or whatever other form of western shaped, constructed and inherited church) and also something beyond new zealand identity as constructed solely in the settler communities. in other words a new kind of authenticity that weaves together a hybrid from the various threads of the communities in new zealand in a way that feels honest. like england this is about the wider changes in culture and needing something that resonates in today's world but my sense of this was that it is also getting at the settler, maori and pacific islanders stories and identitites as well. this is not what was said but i read this to be a quest for something post colonial as well as missional. indeed i began to wonder if it was possible to have one without the other.

the conversation took me back to a scene in the film whale rider where the maori grandfather is explaining the maori tradition and the importance of it and the ancestors (the whakapapa) to his granddaughter with a piece of rope showing various threads. he then uses the rope to start a boat motor and it snaps at which point he says 'useless bloody rope'. that tension - a longing for the gifts in the traditions, the ancestral wisdom and a feeling that it is also broken in today's world - is a tension i sensed is very much alive in new zealand. how do you reweave the rope? to really be kiwi and proud might need that weave.

something i hadn't expected was to be confronted with england and my own englishness...

i always knew you would come back

i am currently on a couple of months extended leave from work which is a wonderful thing to be able to do. it's fairly common in other colleges teaching theology that people get time to research and write from time to time and i am glad to say cms have recently agreed that for people like me who are involved in teaching you can apply to do so every four years. i jumped at the chance as this year i think i can fit that in my life! apart from instagram where i post photos i decided to keep a fairly low profile on social media as that can be such a distraction and take what could be headspace for reflecting on other things. but given the weird circumstances we are now in i thought i would post an update and indeed i feel like i have a number of blog posts i want to write so may start to post a bit more anyway.

the exciting news is that i have finished writing a book i have been working on with cathy ross. it's called imagining mission with john v taylor and will be out in the summer in time for greenbelt (hoping that goes ahead?!). i am excited about it and thankful to cathy for inviting me to work on it with her. we had done loads of work on it already before my leave so no i haven't written a book in a few weeks, but i have had the time to add some sections especially focussing on creativity and how you can nurture imaginative approaches to things. john taylor was a cms leader back in the 60s and 70s and the book riffs off of his bold and inspiring work to hopefully speak in a creative and contemporary voice about mission today. anyway more about that nearer the time i guess. 

then the second thing i wanted to do was to take the opportunity to get inspired by visiting other contexts especially to think about pioneering. so the first stop has been new zealand where i am now (and part of that has been welcome rest). i was also due to visit three places in asia to learn more about cms and mission there but unsurprisingly i have had to cancel those. i certainly picked a weird time to travel! i have been to christchurch airport twice so far and returned having had to cancel flights for different reasons. but i am due to fly back later today and get into london thursday. i have boarding pass and seat numbers so am hoping it will all be fine as no doubt the uk will shut its borders like other european countries before long. the photo above seemed apt - and i hope it's not too optimistic. i hope it doesn't prove to be poignant because my host roger gets another phone call from me at the airport saying i am still here and can he come back and pick me up again...

i have loved new zealand - what a beautiful country! this is my first visit. i have not seen much of it really having spent all but one day in the south island but what i have i have loved. and it has been so interesting in relation to cms whose missionaries are so tied up with new zealand's history. one of the ideas around creativity that we explore in the book is that you often come up with ideas when you get knocked off your usual routine as it provokes you in a different way. the most common kind of provocation is something that happens to you that you simply learn to receive. so getting stuck in new zealand has been that kind of a provocation and the gift that has been in it is that in the extended time i have had here i have had more conversations and time to reflect on mission in new zealand and its history. one of the people i met, paul has been amazing in that regard and i have so far read huia come home, bible and treaty and our story: aotearoa – the story of mission in new zealand through the lens of the new zealand church missionary society whilst in coffee shops or park benches round christchurch. i won't say more about that now but i will no doubt blog some thoughts from a naive outsider's perspective at some point.

i have taken a ton of photos - i'll add some here as part of reflections but i have added a selection to two flickr albums if you are interested -

new zealand + street art in christchurch