what a treat to be in north wales at st beuno's and to see the northern lights in the night sky. i am here doing a course on spiritual conversations.
wales
snowdon horseshoe
we packed in the miles this week! on our way back from oban we visited friends gav and erika in llandudno. for those who have followed gav's crazy building ventures the results are amazing. on friday the weather seemed kind enough that we could do the snowdon horseshoe. this is a route up to snowdon along the miner's track and then looping left over lliwedd and up to yr wyddfa. jen and i have done plenty of walks but this was another level for us. looking at lliwedd i wondered how on earth it is even possible to go up it. but sure enough there is a path of sorts and putting one step in front of another we made our way up. i have been up once before by the rangers path but this was much more dramatic in terms of views. the top of yr wyddfa never came out of cloud so when we headed up there is was snow and cloud! it was such a wonderful day - exhilirating and we felt we were in safe hands with gav who has run up and down all those routes on multiple occasions. photos of the day are here - snowdon horseshoe
this photo gives a good sense of the scramble up lliwedd - you can see jen making her way up.
a wild time
i have been so busy i have just realised i have not posted yet about gather wild-erness on anglesey. it was an event not to miss. liz dunbar has posted a review here and there are some lovely photos in it from mark kensett. i have a very simple theory that movements need spaces to collide - that's how connections get made, ideas shared, emergence happens, and you get encouraged. all of that and more happened. the content was amazing too. people keep asking me what's next - i have no idea at this point! but i am sure we will gather again. a few of my photos are here but i didnt take that many so go look at mark's.
wye and wood
holiday this year was a bit of a challenge to work out what to do safely but also in a way that meant we could have a break other than sitting at home. so we opted to wild camp in the wood week one and then found a tucked out of the way place near hay on wye week two. it worked out really well and was all pretty socially distanced walking, wild swimming, canoeing and so on. i have added some photos here to an album wye and wood though they are not that much of a holiday set given half of them are me messing around with abstracts or reflections! i loved this reflection - it looks almost other wordly. i think a challenge for me would be to see if i could actually take what might be considered a holiday snap.
back from holiday...
just back from a wonderful holiday in wales - yes we stayed in the uk this year and struck lucky with some pretty decent weather. pembrokeshire has the most amazing beaches - they are as good as cornwall and north devon but without the hordes of people. i have added a set of photos to flickr that to be honest are nearly all of beaches!
on silence [4]: individually guided retreats
this is the fourth in a series of blog posts on silence. see also:
- on silence [1] : fragile poet
- on silence [2] : in the Presence of Silence
- on silence [3] : ineffable and inephotographable
i have added a set of photos to flickr which includes the self portraits in the last post but a bundle of other photos as well - in the Presence of Silence.
a few people have asked a bit more about how a silent retreat is structured. i am sure they vary immensely and i think there would be a lot to be said for just booking a remote place and being in silence alone. that is certainly how sara maitland went about it. but the retreat i went on is guided so you are in a place and team used to helping people navigate silence. the place i went to is st beunos in n wales. you can see from this picture that is in a fantastic location. in one direction is the snowdon mountain range and in another the sea. st beunos was featured in the tv programme the big silence if you saw any of that. as you'll see from the web site you can book in to retreats of varying lengths - 3 days, 8 days, 30 days... i was on an 8 day retreat. it's 8 full days. we arrived the night before and left the morning after.
st beunos is an ignatian retreat centre. i'll say something another time about ignatian spirituality which i think is amazing. it is roman catholic run by a community who share an approach to spirituality that is full of wisdom. i don't think for a moment this should put you off if you want to do some silence - it's a great place for silence whether you are christian or not, or indeed whether you are roman catholic or not.
the structure of the retreat is called an individually guided retreat. what this means is that anyone on a retreat meets with one of the team, a spiritual guide, for about a 40 minute conversation each day. this can take whatever direction you like. my guide was wonderful (as i suspect they all are) and it usually began with a conversation about how i was doing, how i was finding the silence, what had been happening, and if i wanted some suggestions for what might be helpful to think about or to pray. i discussed what i was experiencing or noticing, dreams, contemplative prayer, and my fragmented self amongst other things.
then the rest of the time is silent. mealtimes are slightly weird but you get used to it. as everyone else is there in silence it's easy enough as everyone is in the same boat. each evening there was the option of attending mass which i did - i enjoyed hearing the stories of the resurrection appearances (it was the week after easter) which sparked my imagination in prayer. and later each evening was an optional group silence in the chapel for about 30 minutes. it seemed to co-incide with sunset when i was there so i often watched the sunset and then crept in late. the group silence was a bit of a surprise - i found it had a different feel or thickness to it and enjoyed resting in that space with others. i went to that every day.
then the rest of the time you can do as you please. you are encouraged to leave work stuff behind, leave technology behind, and not to take lots to do. i read a couple of books - they were on silence or devotional rather than books to get lost in. i think i listened to 3 music tracks all week and even then that was because they related to what i was thinking about (they were jon hopkins fourth estate - a 30 minute ambient piece, lamb's gorecki which described my experience of union with the Presence of Silence perfectly, and bruce cockburn's mystery whose lyrics were just so fitting). other than that i sat on benches a lot, listened to birdsong, walked the labyrinth every day, went for really long walks most afternoons, prayed (though that was mainly being in the silence rather than a hugely active conversation), used the art room to do a few pastel drawings. and that was it really. that's how it works. what is extraordinary is that making space for silence seems to allow space for stuff to happen that either you don't have time for normally, or are not noticing or giving attention to. i'll say more in another post about some of what happened or surfaced for me when i switched the noise off...
on silence [3] : ineffable and inephotographable
this is the third in a series of blog posts on silence. see also:
sorry about the ridiculous title of the blog post. but one of the things people say about the Presence of Silence is that it is hard to talk about. the big word for that is ineffable. here's what the dictionary says about it
- Too great or extreme to be expressed or described in words: "ineffable beauty".
- Too sacred to be uttered.
with synonyms such as unspeakable - inexpressible - unutterable - nameless.
sara maitland points out that if you can describe what happened and what it felt like then you have not had an authentic mystical experience! so this series of blog posts is probably utterly pointless - feel free to move on. but i do intend to try and describe a bit more my experience of silence in this series of blog posts.
i was in two minds when i went whether taking a camera would be encouraged. but my rationale for taking it as an aid rather than a distraction is that i think it helps me see, to pay attention, to look at things, to notice. and since thomas merton was into photography and awareness i figured that was a pretty good excuse! i blogged a few quotes about that here - a day of silence: photography and contemplation when i had been on a day's silence before. i tried that day to photograph the silence i experienced but i remember one member of the ealing photography group saying that they just seemed to be of a nice garden so clearly i didn't do too well. which brings me to the point or question of this post - if silence is unspeakable it is most likely unrepresentable in image and in photography - it's inephotographable. i realise that is not a catchy word so if anyone out there who is into etymology can come up with something better that would be cool. when i was googling around this sort of theme lots of the sites use the term capture for a photograph in this way - capturing the night sky or whatever. the more i think about it the more horrible a term that is - how can you possibly capture it? you might notice it or represent it or open up its gift but not capture - it's free.
all this by way of saying that one of the things i tried that is a great reminder for me personally of the time in silence was to take photographs of me in places where i encountered the Presence of Silence. but without the stories i doubt they open up silence to anyone else? i already posted the photograph of my coat which is actually my favourite because of what it came to represent, and me sat on a bench in the forest listening to birdsong. the photograph at the top of the post is me on a 3 hour walk in amazing countryside, snow and forests, but en route i crossed the A55 and it struck me that the stillness of my shadow on the bridge contrasted with the noise of the traffic below (that was probably the noisiest moment of my retreat) was a moment saying something about silence and turning the noise off, or finding inner silence when there is outer silence.
this one above is me in a forest with snow on the ground - i went for lots of really long walks. what i love about that photo is that it reminds me of how at home in the world i felt in the silence - connected with myself, god, creation, the trees - an experience of oneness or something and here i seem to blend into the landscape. apologies if i am sounding a bit hippy like!
this one is me in the rock chapel. it's a lovely little chapel that you can get the key to and wander across the fields to be in on your own. the idea is that if the key is gone no one else will disturb you. there is one bench and a range of coloured windows which represent different moods - i am literally bathed in the colours from those windows as you can see here. i went there about three times and had quite significant encounters with the Presence of Silence in that space - i called that photo 'held' because i felt held in the silence somehow.
i walked a labyrinth everyday. i absolutely love labyrinths - walking, slowing down, letting go, resting, breathing, being, praying, thinking, not thinking and so on. sometimes it took me an hour.
i went out at night several times. i suspect there is no one on the planet who has not looked at the stars and felt a sense of awe in the Presence of Silence. in n wales they are a lot clearer than in london that's for sure. i didn't have a tripod so rested the camera and this shot is an exposure of around 475 seconds. it's a bit blurry because the wind was blowing so the camera probably wasn't still. but to me this is an amazing gift that the lens sees of the earth actually spinning on its axis - the naked eye can't detect it but the movement in the star trails shows the gentle turning of the earth in space held in silence. what an extraordinary thing. i wish i had persevered and got a better photo but i was also trying to be in the silence and not get obsessed with photographing it.
there are a few others in this set here. see what you think. how would you photograph silence or is it an utterly pointless exercise?
on silence [2] - the Presence of Silence
on the silent retreat i lived outside. it didn't rain in n wales for 10 days! but it was cold. so this coat was wrapped around me almost permanently often with hood up. (since i have got back i have found i want to be outside more - in fact the first day i had to get out! i decided that outside is my chapel.) i came to experience silence as something to be enfolded in or by and the coat became more and more a sign of that sense of being wrapped. so in a strange way i think that while this photograph may not be magical in and of itself it is my favourite from the retreat. i had in my mind the phrase 'a cloak to mind your life' which is from a john o donahue blessing...
before i went on silent retreat most people who i mentioned it to said something like 'i could never do that' or that it sounds scary. i realised that all these comments had combined in me to think that i would experience it as difficult. maybe it's because it is unknown, or maybe it is because it's so different to our lives (at least in london), or maybe it is because we think of silence as absence. i found the opposite to be the case. i loved silence. in a way what is there not to love? i had set messages on phone and computer to say i wouldn't be responding, i had left all tasks behind, in fact i had no agenda whatsoever even for prayer, i was in a beautiful place, it was safe with people experienced at navigating silence. i found it like breathing or drinking in - and i was incredibly thirsty after three years pretty much non stop with the start up of pioneer training. of course it took a couple of days to stop twitching (as my guide put it). but it was pleasureable, had an ease about it.
one of the companions in my week was sara maitland's a book of silence. in it she explores silence in a much more radical way and in much more solitude and length of time than i was. it's a fantastic book and i found i identified with many of her experiences albeit in a smaller way. she too did not experience much darkness or difficulty. but one of the things that set her on her quest was wanting to address this thing in peoples minds of silence as absence. she says she found it to be the opposite and in her research others who have navigated silence have found the same. here are a couple of things she says
As time passes i increasingly realise there is an interior dimension to silence, a sort of stillness of heart and mind which is not a void, but a rich space.
I did not see lack or absence but a positive presence. Silence may be outside or beyond the limits of description or narrative language but that does not necessarily mean that silence is lacking anything. Perhaps it is a real separate actual thing... not a lack of language but other than, different from language; not an absence of sound but the presence of something which is not sound.
i came to call this sense the Presence of Silence. i think it relates rather well to terrence mallick's the love that loves us! it's hard to describe (which i'll probably come back to in another blog post - ineffable) but i sensed this Presence of Silence many times - walking in the hills and snow, sat quietly listening to birdsong on a bench, in the chapel in prayer, walking the labyrinth, and she came to me in dreams which i proably don't normally notice. to give one example each evening was an optional (everything was optional) group silence. at this you simply sat with others in the chapel in silence. the first time i went to that i was late because i had watched the sun go down outside over snowdon (tough eh?!) but here's what i wrote in my journal
After supper I watched the sun go down - such a beautiful day. So I was late for quiet prayer with the group in the chapel. That silence surprised me - it was weighty, the air was thick and when people left it thinned...
a thickness, a cloak, a blanket, an almost tangible something in the air - a cloak to mind your life? from now on i know this as the Presence of Silence.
the irony of this is that my experience of god, of life, of faith in the last few years i would say has been characterised by what i have come to call unknowing. by that i don't mean that i don't know things but i know a lot less than i used to. there is much more mystery at the heart of things. and whereas in my younger years (wow i really do sound old!!!) the experience of the sense of the presence of god was really important, i have now simply set my life's direction to follow in the way of christ and that won't change. i take what epiphanies i am given as gifts on the way but also what i have been given is enough. there is no better story to live a life by. i guess i am no longer adolesecent in my spirituality?! i have tried in my own way to pass through the veil of the senses. so i was very happy for the week's silence to just slow down, to be quiet, to still, to unwind, to be, to be in god, in the world. and not expecting to experience this sense of presence. but i bumped into her almost everywhere i turned! now i am back into london, into life, into noise, i am sure this will evade me but it was an extraordinary tangible thing. i will recognise her more clearly now...
on silence [1] fragile poet
i am back from an 8 day silent retreat. inevitably i will try and offer some reflections on it over the next few weeks or maybe months though i think it will take me a while to process and it's also possibly impossible to say anything meaningful about silence! i successfully managed to unplug from everything - phone, email, internet, texts. i didn't see news or an advert even the whole time i was there. that in itself was good for my soul. it was an extraordinary time. this is me in a typical pose sat doing nothing other than being - yes you guessed it - silent!
i was on a guided retreat so there were others with whom i was sharing the experience though we hardly spoke other than at breakfast on the day of departure. we were gathered on the first evening and one of the guides for the week, a lovely woman who you could tell knew something of the power of silence, shared a few words to set the tone for the week. poem is probably an overstatement but i wrote this piece afterwards and for me it set the direction - this was somehow what i was trying to do or be or let happen...
Fragile Poet
Whose outer and inner worlds have fused on the horizon of stillness
Who have waited like a bird watcher to receive the gifts that come towards you
Whose wounded soul has found healing in love's presence
You have been asked to say a few words about silence...
In a whisper only heard by leaning in with attentiveness,
but laced with the depth of oceans
you suggest
Let the silence enfold you
There is an outer silence which is good
But you have come also to find an inner silence
That can be scary
Be kind to yourself...
n wales and manchester here we come
after the cms pioneer christmas bash today i am heading up to n wales with gav to see the en gedi arts advent exhibition and to take part in this panel on the theme another world is possible (following my greenbelt spiel on the same theme). details here
then thurs it's a visit to manchester to take part in a day hosted by venture fx - VFXtra which is open to anyone i think. there are three such regional gatherings going on on the same day.
be nice to get out of london and oxford for a few days!
art in holy week day 4: the easter story engedi arts
[this is part of a series of blog posts on art in holy week - see also
- art in holy week day one: the lent cross delarosa
- art in holy week day two: raised in leeds
- art in holy week day three: the create project
- art in holy week day five: soul of sheffield
- art in holy week day six: stations of the king's cross
- art in holy week day seven: noesis
- art in holy week day eight: the resurrection ]
the easter story is an exhibtion that opened last weekend in north wales in colwyn bay. this photo was taken at the opening which sounded like a big success. jen and i are heading up tomorrow to join in the fun... gav mart is a student on the cms pioneer course and is the person behind engedi arts who are putting on the exhibition. to get this in motion has involved quite an adventure and a serious amount of risk taking. this has involved taking out a lease short term on the imperial hotel on the hgh street, doing the place up, connecting wth local artists on quite a big scale, and meantime putting together funding bids and dreaming up a vision to enable the hotel to become a base for community and arts into the future - all of which is still unknown.
but the easter story itself is quite a simple idea. take sections of scripture that tell the easter story and invite artists to interact with the story. it doesn't matter if they are christian or not. in many ways the project is about saying that the story is the peoples and not the sole preserve of the church. i just love the scale of what is going on. there are quite a few pieces online about this so i don't want to repeat everthing here. cms write about it here, i really liked this photo story that tells the journey, and gav is interviewed here. here's what he says about it.
Engedi Arts is interested in what Jesus’ story looks like to non Christians, without the perceived barrier of the traditional church building standing in the way. We have handpicked all of our artists ranging from some of the top Welsh contemporary names to some established and up and coming new talent. Of our confirmed artists 80 per cent are based in Wales, and we have received an overwhelmingly positive response from the artistic community.
The 40 passages chosen range from the resurrection of Lazarus to the resurrected Jesus, and the fish breakfast of John 21, and are intended to highlight issues concerning: Life, death, women’s role in the gospel/Christendom, betrayal, economy, the Eucharist, loyalty, justice, gambling, denial, self denial, violence, doubt, theology and friendship, the community’s relationship with the church.
During the show’s run we’re planning a range of community (mini) events at the venue including an opening launch party, a song and creative writing workshop day and evening performance, a spoken word workshop day and evening performance, an acoustic evening, a meditative service, various arts workshops, a student open afternoon, an alternative worship event, a Maundy Thursday event, and a closing Easter Sunday Big Feast.
i intend to take some photos so will try and show something of what it's about when i get back. but if you scroll through the blog you can see stories of some of the artists involved and what they are up to such as this stroke of brilliance...
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the latest book is a full colour coffee table type book which is the first published by new venture GETsidetracked - pioneer practice
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